Timba and SalsaTimba and is derived from the same roots as salsa, and describes modern, popular dance music in Cuba. Timba is more heavily influenced by Afro-Cuban musical genres, while Salsa's influences are Son Cubano and Conjunto.
In the orchestra, castanets are sometimes mounted on a piece of wood, and the percussionist plays them by hitting them with his/her hands. The celesta looks like a tiny upright piano and sounds a lot like the glockenspiel with its delicate bell-like tone. Celestas usually have a keyboard of 49–65 keys.
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock.
The clave (/ˈkl?ːve?, kle?v/; Spanish: [ˈklaβe]) is a rhythmic pattern used as a tool for temporal organization in Afro-Cuban music. It is present in a variety of genres such as Abakuá music, rumba, conga, son, mambo, salsa, songo, timba and Afro-Cuban jazz.
In Latin Jazz instruments commonly used include the drums, bass guitar or double bass, saxophone, vocals, trombone, trumpets and percussion.
Latin music (Portuguese and Spanish: música latina) is a term used by the music industry as a catch-all genre for various styles of music from Latin America, Spain, and Portugal, the United States, as well as music sung in Spanish or Portuguese language.
Some of the Latin/Afro-Caribbean percussion instruments include the bongo drums, cabasa, cowbell, conga, maracas, pandeiro, tamborim, zabumba, repique, djembe, dunun, and surdo among others.
Choose a drumhead based on your budget and the sound you want your conga to make when it's played. Natural drumheads, made from animal hide, are traditional. Natural drumheads are more expensive and harder to put on the drum, but many conga players think they produce a better sound than synthetic skins.
Bongo sounds are higher in pitch and thinner in terms of the air that they move. The drums are smaller, so they just can't impact the soundscape like a conga drum. The way the sounds are produced is also a major difference. Bongo sounds are made with mostly fingers, while congas more often incorporate the entire hand.
The Conga is the middle size and is traditionally used to play middle drum parts, though it can & often is used to play low or high drum parts, when tuned to a lower or higher pitch. Of the three primary sizes the Tumba is the lowed pitched and has the largest head & widest shell belly.
Bongo drums, also called bongos, pair of small single-headed Afro-Cuban drums. The two heads, which are respectively about 5 inches (13 cm) and about 7 inches (18 cm) across, are nailed or rod-tensioned to wooden, open-ended “shells” of the same height. Other Cuban folk drums are also called bongos.
Traditional Conga drums are made from wood, and perhaps originated from barrels or tree trunks. Modern Conga drums can be made from wood like ash or oak, with different types of wood producing a range of overtones.
In 1983 a conga and bongo manufacturing facility was established in Thailand. Since the 1990s, to support its overseas manufacturing effort, LP maintains its own research and development group in New Jersey.
It's a courtship dance where the male is continually trying to vacanao ("vac-ooh-now", spanish for "vaccinate") the female, who warily covers up when needed. The tumbao rhythm is the bass line or bottom rhythm (lowest pitch) played in the gauganco. (It is also one of the names for the lowest pitched conga drum.)
Salsa is an amalgamation of Puerto Rican, Dominican and Cuban dances that were popular in the ballrooms and nightclubs of San Juan and la Havana by the end of the 1950s (e.g. "casino", mambo and pachanga), as well as American jazz dances.
I tend to think however, that the key of the song is C, so the progression here would be V-I-IV-V.
Salsa is a lively dance music with many different styles. It originated in Cuba and has African and Spanish influences. It is very popular in Cuba, Puerto Rico and New York.
Salsa is traced back to the times of the Aztecs, Incas, and Mayans. The native people created their own versions of salsa using tomatoes, chilies, and squash seeds, however “official discovery” to the rest of the world did not occur until after the Spaniards conquered Mexico in the 1500s.
The basic son ensemble of early 20th-century Havana consisted of guitar, tres, claves, bongos, marímbula or botija, and maracas. The tres plays the typical Cuban ostinato figure known as guajeo. The rhythmic pattern of the following generic guajeo is used in many different songs.
Salsa originated in the 1900s in Cuba, where rhythms from the two main existing styles of music in the region (Cuban Son and Afro-Cuban rumba) were combined to create a new dance. This new rhythm was combined with American jazz and taken to New York by Cuban musicians.
Salsa, the dance music from Puerto Rico and New York, offers a case in point. It is virtually dead both in terms of sales and the paucity of promising new artists. But there are few salsa singers under 30, and none showing much more than modest promise.
Salsa – Musical Instruments. At the heart of Salsa music is percussion and it's the reason why a typical Salsa band has a few musicians playing the congas, timbales, cowbells, bongos, maracas, claves, marimba and vibraphone.
